Post by josephkuby on Jan 25, 2010 19:35:41 GMT
Bizarre oddity that's wonderfully bohemian and strangely beautiful!
Game of Death 2 (or Tower of Death as it is otherwise known) is not only one of the most unique martial arts (and Hong Kong) films made from this period but one of the most unique films ever made period.
The film manages to combine a period, contemporary and futuristic setting into a truly dazzling melding pot of a spectacle that promises and delivers high-kick, high-tech and high-camp fun! (like that naked woman )
This film also features some of the best work ever to come from Hwang Jang Lee and Yuen Woo Ping. ;D
Heck, Yuen Biao does more action in this as a stunt double + small role player than he does playing as a lead character in Yuen Woo Ping's Dreadnaught (which should tell you about the scope of the action in this film ). The highlight is no doubt the finale. The idea of having an electrical panel covering the bottom of two opposing walls which threatens to electrocute any trespasser is imaginative.
Put it this way - this film is probably the only chance you get to see Yuen Woo Ping, Sammo Hung and Corey Yuen Kwai choreograph fight scenes within the context of one film (with Drunken Master being an exception - according to HK film critic Stephen Teo), so it's certainly a rare treat.
Sammo Hung and Corey Yuen Kwai were uncredited co-directors for Game of Death 2. Corey was also the co-director of Dragons Forever. What's interesting is that both finales of said films involve a villain (a moustached villain might I add) landing into a crimson-tinted narcotics pool.
The only thing wrong with this film is that the film's plot leaves a few holes and that there's some cases (not all) where the archive footage doesn't gel well with the new footage (though it's certainly more successful than the prequel's attempts at this ).
Beyond that, there's the obvious use of stunt doubling as well as the flawed production values. Whilst the film's budget looks huge for its time, one can see a shaky wall as Kim Tai Chung kicks two silver-dressed henchmen on the staircase during the finale (highly reminiscent of the critically panned U.K. soap drama Crossroads).
If you still feel bad about the Bruce Lee connection, then order the Korean version (which omits the Bruce Lee footage) from the Rare Kung Fu Movies site.
The ultimate guilty pleasure flick, need I say more?
Interesting Trivia....
It was during the post-production of Game of Death that the inevitability of a sequel was already kicked into the spotlight, as Raymond Chow planned a follow-up to Bruce Lee's original idea of the ascending pagoda and the use of his remaining footage that he shot before his death.
Perhaps it is a symbolic indication of things not going to plan or things spiralling downward into cinematic oblivion, that the idea of a descending pagoda came into fruition.
Finding a title was also a task: the title "Tower of Death" would only be used if the film didn't succeed in it's expected levels (needless to say at this point). Raymond hired Seasonal Film director and producer Ng See Yuen to be the visionary behind the project seeing as how his "midas touch" or "sixth sense" in locating talent had turned Jackie into Hong Kong's hottest property.
Chow had hoped that Ng would be willing to work in unison with Golden Harvest's script, envisioning that he would work his magic into this production - which was supposed to have begun as soon as the first installment was out of theaters but it didn't, for reasons that Ng couldn't use the useful Lee scenes which were in 8 and a half blocks of footage but the many outtakes, behind the scenes footage and different camera perspectives (for some reported outdoor scenes) made them impossible to coherently arrange.
This conflicted with the script and a rewrite was ordered delaying the project for a year. Ng gave his technical thoughts for his rewrite with GH concerning a descending tower with a science fiction twist. Bruce was to appear in the first half before then being replaced by a double which would be Kim Tai Chung and Chen Yao Pao.
Neither of them could be found until Hwang Jang Lee brought Kim over from Korea, although Jackie Chan was considered as an early replacement for Kim once he finished production on Fearless Hyena (so that GH could quickly secure a place for him within the studio via contractual agreements).
Nevertheless, Ng wasn't particularly too fond or so crazy about the concept of using him for what was essentially the type of exploitation piece that Chan yearned to escape from - to follow in the footsteps of Bruce Lee.
Chow also wasn't very crazy about Ng's work on the film cancelling any involvement with GH production units though officially Chow was still involved (if briefly) as not only did he initialize the project but he owned the copyrights too. It was at that particular moment when Seasonal Films took over the film's production unit (Chow's connection not withstanding) and the rest is history.
Although Ng took full credit in direction, Ng hired Corey Yuen Kwai to direct and choreograph the alley fight scene and the fight scene that preceded it. Sammo directed miscellaneous material - various things here and there - such as...
1) The opening duel between Hwang Jang Lee and Graham Ravey.
2) The duel between Roy and the two brothers.
...and...
3) The first duel between Tang Lung (or Kim) and the masked valet.
Billy Chan Wui Ngai, in particular, helped out Sammo in the co-ordination of these scenes - with Biao dropping by to give a few pointers. The second and final duel between Tang and the valet was designed by Yuen Da and Tsiu Siu Ming (who directed Jet Li's Born to Defence after Jet suffered a nasty back injury during production).
Yuen Woo Ping directed the underground scenes with Kwai (basically, they choreographed everything after the final fight between Tang and the valet). Yuen Cheung Yan assisted Ping for these scenes too, whilst the former had helped Biao for the abbot/temple scenes in terms of martial arts direction. It could be argued that the fight scenes are the first to combine Bruce Lee's Jeet Kune Do with Hong Kong style choreography (or at least the most successful attempt).
The completion of the acting scenes were extremely difficult since Tang spoke very little Cantonese aside from his Korean. Prompting him to receive a great deal of translation fron Hwang. It even leaves gaps in the movie since Tang speaks little and looks like as if he is really concentrating on his lines.
The film was very successful (more successful than the first film in terms of Asian reception which speaks volumes about this film's success) but Chow was still disappointed.
He had one of the best years of GH with the box office profits of JC and SH. During the three years it took to get the film made and released, Jackie had made a record-breaking HK$ 10 million (U.S. $ 1,289,939) with The Young Master. On the other hand, Sammo made a ground-breaking (artistically) and critically well-received hit with Close Encounters of the Spooky Kind with a total gross of HK$ 5,675,626 (US$ 732,121) within the space of a week. Regardless, this movie was his project and he wanted the best for the movie.
He determined that Tower would be released as Game of Death 2 in the States. He also edited in the greenhouse fight from the Chinese version of the first film because the film didn't capitalize enough with the Bruce Lee scenes and he intended to add even more than what's seen in the finished product, until Ng See Yuen refused any more footage to be added - leaving his name to be dropped. Which would explain why in some versions, Corey is the only listed director.
Many things happened as carriers flourished before being halted as there was no more communication between the two aforementioned studios.
However, Ping and Kwai (who were contractually obligated to Ng's Seasonal Films) caught Chow's eye thus money was given to them by Chow for productions over the oncoming years i.e. 'Righting Wrongs' and 'Blonde Fury' for Kwai and the GH/D&B co-productions of the Tiger Cage films, In the Line of Duty 4 and Once Upon a Time in China 2 for Ping. On the other side of the coin, Yuen Biao and Tsiu Siu Ming were already contracted with GH.
On further note, Hwang Jang Lee's character's name is Moshikawa (as was spoken on the set) as opposed to Jim Koo/Chin Ku/Jin Ku.
One has to bear in mind that the swastika on Hwang's coffin was a religious symbol before the Nazis took it.
There have been several various edits of Tower of Death (in some cases, I may refer to Billy Lo's {or Bobby's} character as Lee since he is a different character in the Asian prints):
* Japanese version - A totally different movie. The beginning has Lee teaching a Jeet Kune Do class while he is challenged by Hwang Jang Lee from phone. After numerous attempts at Lee, he flies to Korea and enters the pagoda. Reportedly, this has numerous outdoor scenes - whether this is the missing footage of the 'real' Bruce Lee or the footage he shot of the others remains unclear.
* South Eastern Asian Version - This premiered in certain parts of the Philippines and Korea. It has the same description as the Japanese version, only there is claimed to be more fight scenes in, and actual Lee footage with the actors in the same frame.
* Korean version - This version of the movie removes the Bruceploitation factor (i.e. the clips of Bruce Lee) and just plays it as a straight-up independent Kung Fu flick. There is a much more longer demonstration of Hwang Jang Lee practising his martial arts skills in the beginning. There is a new scene involving Lee reading a newspaper concerning Hwang's death (this isn't meant to be the same scene which used Enter the Dragon in the regular version). In the finale, as Tang Lung is about to find the elevator, he steals and uses a pair of nunchaku against a guard.
* Hong Kong version - This might not apply to all Hong Kong prints. This version, which may be relegated to a few prints, is almost the same as the U.K. VHS release except the night club scene where Lee talks to Hwang's illegitimate daughter is extended, using outtakes (possibly more) from Enter the Dragon of Lee talking to the dart lady in Han's guestroom.
The flashbacks at the end of Lee practising his Jeet Kune Do are longer and so is the Tang Lung vs. Hwang Jang Lee brawl, with more acrobatics from Yuen Biao and, even, Yuen Wah. The theme music plays throughout the entire final fight. Halfway through the film, there are alternate versions of the fights. Plus, there's more footage of Lee looking in different rooms and his garden, more abbot footage as well as more scenes featuring Hwang Jang Lee's daughter (i.e. the actual woman who played her rather than just the ETD footage).
* U.S. Game of Death 2 version - The disclaimer is the same as the above (i.e. it might not apply to the DVD prints e.g. the 20th Century Fox release). Instead of the above, Lee's face from Way Of The Dragon is shown instead of the ETD scenes in the beginning. The abbot scene is condensed to only the stationary Roy Chiao scenes, with WOTD outtakes (only the ones that specifically reveal Bruce Lee's face) and a redubbed version of a black & white movie featuring a young Bruce. The scenes featuring Lee searching his brother's apartment and crying are deleted in turn of the greenhouse scuffle from the Hong Kong print of Game of Death.
The meeting with Hwang's daughter is condensed to the WOTD indoor facial shots of Lee and one scene not shown in the HK print of Tower of Death that has Lee sitting down on a couch. The drawback here is that Lee's actual yells are not dubbed in, but the soundtrack is edited in the correct scenes, a problem the HK version has.
* Spanish version "Towel Del Muerte" - This version is much different than the previous two, since all the Lee dialogue scenes are censored, with the footage of the abbot, apartment search, crying scene and Casanova fight removed. Instead, the outdoor fight scenes from WOTD are edited in and the unreleased mirror scenes from ETD are used as flashbacks.
8/10
Game of Death 2 (or Tower of Death as it is otherwise known) is not only one of the most unique martial arts (and Hong Kong) films made from this period but one of the most unique films ever made period.
The film manages to combine a period, contemporary and futuristic setting into a truly dazzling melding pot of a spectacle that promises and delivers high-kick, high-tech and high-camp fun! (like that naked woman )
This film also features some of the best work ever to come from Hwang Jang Lee and Yuen Woo Ping. ;D
Heck, Yuen Biao does more action in this as a stunt double + small role player than he does playing as a lead character in Yuen Woo Ping's Dreadnaught (which should tell you about the scope of the action in this film ). The highlight is no doubt the finale. The idea of having an electrical panel covering the bottom of two opposing walls which threatens to electrocute any trespasser is imaginative.
Put it this way - this film is probably the only chance you get to see Yuen Woo Ping, Sammo Hung and Corey Yuen Kwai choreograph fight scenes within the context of one film (with Drunken Master being an exception - according to HK film critic Stephen Teo), so it's certainly a rare treat.
Sammo Hung and Corey Yuen Kwai were uncredited co-directors for Game of Death 2. Corey was also the co-director of Dragons Forever. What's interesting is that both finales of said films involve a villain (a moustached villain might I add) landing into a crimson-tinted narcotics pool.
The only thing wrong with this film is that the film's plot leaves a few holes and that there's some cases (not all) where the archive footage doesn't gel well with the new footage (though it's certainly more successful than the prequel's attempts at this ).
Beyond that, there's the obvious use of stunt doubling as well as the flawed production values. Whilst the film's budget looks huge for its time, one can see a shaky wall as Kim Tai Chung kicks two silver-dressed henchmen on the staircase during the finale (highly reminiscent of the critically panned U.K. soap drama Crossroads).
If you still feel bad about the Bruce Lee connection, then order the Korean version (which omits the Bruce Lee footage) from the Rare Kung Fu Movies site.
The ultimate guilty pleasure flick, need I say more?
Interesting Trivia....
It was during the post-production of Game of Death that the inevitability of a sequel was already kicked into the spotlight, as Raymond Chow planned a follow-up to Bruce Lee's original idea of the ascending pagoda and the use of his remaining footage that he shot before his death.
Perhaps it is a symbolic indication of things not going to plan or things spiralling downward into cinematic oblivion, that the idea of a descending pagoda came into fruition.
Finding a title was also a task: the title "Tower of Death" would only be used if the film didn't succeed in it's expected levels (needless to say at this point). Raymond hired Seasonal Film director and producer Ng See Yuen to be the visionary behind the project seeing as how his "midas touch" or "sixth sense" in locating talent had turned Jackie into Hong Kong's hottest property.
Chow had hoped that Ng would be willing to work in unison with Golden Harvest's script, envisioning that he would work his magic into this production - which was supposed to have begun as soon as the first installment was out of theaters but it didn't, for reasons that Ng couldn't use the useful Lee scenes which were in 8 and a half blocks of footage but the many outtakes, behind the scenes footage and different camera perspectives (for some reported outdoor scenes) made them impossible to coherently arrange.
This conflicted with the script and a rewrite was ordered delaying the project for a year. Ng gave his technical thoughts for his rewrite with GH concerning a descending tower with a science fiction twist. Bruce was to appear in the first half before then being replaced by a double which would be Kim Tai Chung and Chen Yao Pao.
Neither of them could be found until Hwang Jang Lee brought Kim over from Korea, although Jackie Chan was considered as an early replacement for Kim once he finished production on Fearless Hyena (so that GH could quickly secure a place for him within the studio via contractual agreements).
Nevertheless, Ng wasn't particularly too fond or so crazy about the concept of using him for what was essentially the type of exploitation piece that Chan yearned to escape from - to follow in the footsteps of Bruce Lee.
Chow also wasn't very crazy about Ng's work on the film cancelling any involvement with GH production units though officially Chow was still involved (if briefly) as not only did he initialize the project but he owned the copyrights too. It was at that particular moment when Seasonal Films took over the film's production unit (Chow's connection not withstanding) and the rest is history.
Although Ng took full credit in direction, Ng hired Corey Yuen Kwai to direct and choreograph the alley fight scene and the fight scene that preceded it. Sammo directed miscellaneous material - various things here and there - such as...
1) The opening duel between Hwang Jang Lee and Graham Ravey.
2) The duel between Roy and the two brothers.
...and...
3) The first duel between Tang Lung (or Kim) and the masked valet.
Billy Chan Wui Ngai, in particular, helped out Sammo in the co-ordination of these scenes - with Biao dropping by to give a few pointers. The second and final duel between Tang and the valet was designed by Yuen Da and Tsiu Siu Ming (who directed Jet Li's Born to Defence after Jet suffered a nasty back injury during production).
Yuen Woo Ping directed the underground scenes with Kwai (basically, they choreographed everything after the final fight between Tang and the valet). Yuen Cheung Yan assisted Ping for these scenes too, whilst the former had helped Biao for the abbot/temple scenes in terms of martial arts direction. It could be argued that the fight scenes are the first to combine Bruce Lee's Jeet Kune Do with Hong Kong style choreography (or at least the most successful attempt).
The completion of the acting scenes were extremely difficult since Tang spoke very little Cantonese aside from his Korean. Prompting him to receive a great deal of translation fron Hwang. It even leaves gaps in the movie since Tang speaks little and looks like as if he is really concentrating on his lines.
The film was very successful (more successful than the first film in terms of Asian reception which speaks volumes about this film's success) but Chow was still disappointed.
He had one of the best years of GH with the box office profits of JC and SH. During the three years it took to get the film made and released, Jackie had made a record-breaking HK$ 10 million (U.S. $ 1,289,939) with The Young Master. On the other hand, Sammo made a ground-breaking (artistically) and critically well-received hit with Close Encounters of the Spooky Kind with a total gross of HK$ 5,675,626 (US$ 732,121) within the space of a week. Regardless, this movie was his project and he wanted the best for the movie.
He determined that Tower would be released as Game of Death 2 in the States. He also edited in the greenhouse fight from the Chinese version of the first film because the film didn't capitalize enough with the Bruce Lee scenes and he intended to add even more than what's seen in the finished product, until Ng See Yuen refused any more footage to be added - leaving his name to be dropped. Which would explain why in some versions, Corey is the only listed director.
Many things happened as carriers flourished before being halted as there was no more communication between the two aforementioned studios.
However, Ping and Kwai (who were contractually obligated to Ng's Seasonal Films) caught Chow's eye thus money was given to them by Chow for productions over the oncoming years i.e. 'Righting Wrongs' and 'Blonde Fury' for Kwai and the GH/D&B co-productions of the Tiger Cage films, In the Line of Duty 4 and Once Upon a Time in China 2 for Ping. On the other side of the coin, Yuen Biao and Tsiu Siu Ming were already contracted with GH.
On further note, Hwang Jang Lee's character's name is Moshikawa (as was spoken on the set) as opposed to Jim Koo/Chin Ku/Jin Ku.
One has to bear in mind that the swastika on Hwang's coffin was a religious symbol before the Nazis took it.
There have been several various edits of Tower of Death (in some cases, I may refer to Billy Lo's {or Bobby's} character as Lee since he is a different character in the Asian prints):
* Japanese version - A totally different movie. The beginning has Lee teaching a Jeet Kune Do class while he is challenged by Hwang Jang Lee from phone. After numerous attempts at Lee, he flies to Korea and enters the pagoda. Reportedly, this has numerous outdoor scenes - whether this is the missing footage of the 'real' Bruce Lee or the footage he shot of the others remains unclear.
* South Eastern Asian Version - This premiered in certain parts of the Philippines and Korea. It has the same description as the Japanese version, only there is claimed to be more fight scenes in, and actual Lee footage with the actors in the same frame.
* Korean version - This version of the movie removes the Bruceploitation factor (i.e. the clips of Bruce Lee) and just plays it as a straight-up independent Kung Fu flick. There is a much more longer demonstration of Hwang Jang Lee practising his martial arts skills in the beginning. There is a new scene involving Lee reading a newspaper concerning Hwang's death (this isn't meant to be the same scene which used Enter the Dragon in the regular version). In the finale, as Tang Lung is about to find the elevator, he steals and uses a pair of nunchaku against a guard.
* Hong Kong version - This might not apply to all Hong Kong prints. This version, which may be relegated to a few prints, is almost the same as the U.K. VHS release except the night club scene where Lee talks to Hwang's illegitimate daughter is extended, using outtakes (possibly more) from Enter the Dragon of Lee talking to the dart lady in Han's guestroom.
The flashbacks at the end of Lee practising his Jeet Kune Do are longer and so is the Tang Lung vs. Hwang Jang Lee brawl, with more acrobatics from Yuen Biao and, even, Yuen Wah. The theme music plays throughout the entire final fight. Halfway through the film, there are alternate versions of the fights. Plus, there's more footage of Lee looking in different rooms and his garden, more abbot footage as well as more scenes featuring Hwang Jang Lee's daughter (i.e. the actual woman who played her rather than just the ETD footage).
* U.S. Game of Death 2 version - The disclaimer is the same as the above (i.e. it might not apply to the DVD prints e.g. the 20th Century Fox release). Instead of the above, Lee's face from Way Of The Dragon is shown instead of the ETD scenes in the beginning. The abbot scene is condensed to only the stationary Roy Chiao scenes, with WOTD outtakes (only the ones that specifically reveal Bruce Lee's face) and a redubbed version of a black & white movie featuring a young Bruce. The scenes featuring Lee searching his brother's apartment and crying are deleted in turn of the greenhouse scuffle from the Hong Kong print of Game of Death.
The meeting with Hwang's daughter is condensed to the WOTD indoor facial shots of Lee and one scene not shown in the HK print of Tower of Death that has Lee sitting down on a couch. The drawback here is that Lee's actual yells are not dubbed in, but the soundtrack is edited in the correct scenes, a problem the HK version has.
* Spanish version "Towel Del Muerte" - This version is much different than the previous two, since all the Lee dialogue scenes are censored, with the footage of the abbot, apartment search, crying scene and Casanova fight removed. Instead, the outdoor fight scenes from WOTD are edited in and the unreleased mirror scenes from ETD are used as flashbacks.
8/10